Wave Optics
Hold two razor blades a hair's width apart in front of a bare bulb filament and, if you squint through the narrow gap, you will see bands of colour fringing the light — a home experiment anyone can do, and one that geometrical ray optics simply cannot explain. Rays travelling in straight lines predict a sharp-edged shadow, nothing more. What you are actually seeing is light behaving as a wave: bending round obstacles, reinforcing itself in some places and cancelling itself in others. Chapter 9 treated light as rays that travel in straight lines, reflect and refract at sharp boundaries. This chapter goes one layer deeper and asks what a ray actually is — the answer, first argued forcefully by Christiaan Huygens in 1678 and vindicated by Thomas Young's celebrated 1801 experiment, is that light is a wave, and a ray is merely the direction in which that wave's energy flows when its wavelength is too small to notice. The chapter builds in one continuous argument. It starts with Huygens' principle — a simple geometrical rule for building tomorrow's wavefront out of today's — and uses it to re-derive the laws of reflection and refraction you already know from ray optics, this time from wave reasoning, correcting the older corpuscular (particle) theory of light in the process. It then turns to what waves do that rays cannot: interference, where two coherent light waves combine to make bright and dark fringes (Young's double-slit experiment); diffraction, where a single narrow slit bends light into a spread pattern with its own bright and dark bands; and polarisation, where the transverse, vector nature of the light wave is exposed and controlled with a polaroid sheet. By the end you should be able to derive Snell's law from wavefronts, calculate fringe spacing in Young's experiment, locate the minima of a single-slit diffraction pattern, and predict the intensity transmitted through a stack of polaroids using Malus' law — the same toolkit that underlies interferometers, diffraction gratings, LCD screens and polarised sunglasses.
- A wavefront is a surface of constant phase; Huygens' principle says every point on a wavefront is a source of secondary wavelets, and the forward envelope of these wavelets gives the wavefront an instant later.
- Huygens' construction re-derives the laws of reflection and refraction; it predicts (Snell's law) and correctly shows that light slows down on entering a denser medium — the opposite of the older corpuscular prediction.
- Coherent sources keep a constant phase difference; only coherent superposition produces a stable interference pattern. Two independent lamps are incoherent and their intensities simply add.
- For two coherent waves of equal amplitude with phase difference , the resultant intensity is — ranging from (constructive) to zero (destructive), never the naive average .
- Young's double-slit experiment produces equally spaced bright and dark fringes; the fringe width is , with bright fringes where the path difference is and dark fringes where it is .
- Diffraction at a single slit of width produces a broad central maximum flanked by weaker secondary maxima; minima occur at , and the central maximum is twice as wide as any secondary maximum.
- Polarisation reveals that light is a transverse wave: an unpolarised beam through one ideal polaroid loses half its intensity, and a second polaroid transmits a fraction of that (Malus' law), varying from full transmission at to zero at (crossed polaroids).
- Interference and diffraction only redistribute light energy — bright fringes gain exactly what dark fringes lose; no energy is created or destroyed.
- Key idea: light is a transverse wave whose wavefronts, built point by point through Huygens' principle, explain reflection and refraction, and whose coherent superposition and single-slit spreading produce the interference, diffraction and polarisation patterns that a pure ray picture cannot.
Every phenomenon in this chapter — reflection, refraction, interference fringes, diffraction bands and polarisation by a polaroid — follows from treating light as a transverse wave whose wavefronts advance by Huygens' construction and whose amplitudes add with a phase, so that path difference and phase difference, not ray geometry alone, decide where light reinforces, cancels or gets blocked by a pass-axis.
What this chapter covers
The chapter has four connected movements. First, Huygens' principle: the definition of a wavefront, the geometrical construction of secondary wavelets, and its use to derive the laws of reflection and refraction — recovering Snell's law and the critical angle from pure wave geometry, and settling the historic dispute between Newton's corpuscular model and the wave model in favour of waves. Second, coherent and incoherent superposition: what it means for two sources to be coherent, why an ordinary pair of lamps never shows fringes, and the general intensity formula that governs every interference pattern in the chapter. Third, Young's double-slit experiment: the classic demonstration of interference, the path-difference argument that fixes bright and dark fringe positions, and the resulting fringe-width formula. Fourth, diffraction and polarisation: the single-slit diffraction pattern with its central and secondary maxima, and the polarisation of light by a polaroid, culminating in Malus' law and the proof — unavailable to sound waves — that light is transverse.
The core ideas
Wavefronts and Huygens' principle
Drop a stone into still water and every point on the surface it disturbs starts oscillating; a snapshot at any instant shows expanding circles on which the disturbance is at the same stage of oscillation. Such a locus of points vibrating in phase is called a wavefront — a surface of constant phase — and it is the natural generalisation of a "ray" to wave language. A point source emits spherical wavefronts; far from the source, a small patch of a spherical wavefront looks flat, and is treated as a plane wavefront. Energy always flows perpendicular to the wavefront, which is exactly the direction a ray occupies in geometrical optics — a ray is nothing but the trajectory perpendicular to successive wavefronts, in the limit where wavelength is neglected. Huygens' principle is a rule for building the wavefront at a later time from the wavefront now. It states that every point on an existing wavefront acts as a source of new secondary wavelets, spreading out in all directions at the wave's own speed; the surface tangent to all these wavelets in the forward direction — their common envelope — is the new wavefront an instant later. Huygens had to assume, without full justification, that the wavelets have zero amplitude backward and maximum amplitude forward, to suppress an unphysical "backwave"; a fully rigorous justification needs the more advanced Huygens–Fresnel principle, which also underlies diffraction.
Reflection and refraction from Huygens' construction
Applying Huygens' construction where a plane wavefront meets a plane interface separating two media of wave speeds and produces the familiar laws of geometrical optics, but now with a wave-based explanation of why they hold. The refractive indices are defined through the speed of light:
where: is the speed of light in vacuum and are the speeds of light in media 1 and 2. A larger refractive index therefore means a slower wave speed — the physical content behind the number that ray optics simply looked up in a table. Working through the geometry (carried out in full in the first derivation block below) gives Snell's law of refraction:
where: is the angle of incidence, is the angle of refraction, and both are measured from the normal to the interface. The crucial physical payoff is the direction of bending: if (the ray bends toward the normal, as when light enters glass from air), Huygens' wave picture demands — light must travel slower in the denser medium. This is the opposite of what Newton's corpuscular model predicted, and it was this very prediction that Foucault's 1850 experiment confirmed, settling the historic wave-versus-particle dispute in favour of the wave theory. A parallel argument for reflection at a plane mirror (congruent triangles rather than a ratio of speeds) recovers the familiar law . A companion result concerns wavelength. If the path in the first medium equals one wavelength , the corresponding path in the second medium equals , since both waves take the same time to advance by one full wave. This gives:
where: are the wavelengths in the two media. On entering a denser medium (), both speed and wavelength shrink in the same proportion, but the frequency stays exactly the same — frequency is fixed by the source, not the medium, because the atoms at the boundary re-radiate at the frequency that is driving them. When light travels from a denser medium (1) toward a rarer one (2), so that , the refracted ray bends away from the normal and grows faster than . There exists a special angle of incidence, the critical angle , at which reaches exactly :
where: (medium 1 is denser). For any angle of incidence greater than , Snell's law would demand , which is impossible — no refracted ray exists, and all the light reflects back into the denser medium. This is total internal reflection, the physics behind optical fibres and the sparkle of a cut diamond, and it falls straight out of the same wavefront construction used for ordinary refraction.
Coherent superposition and interference intensity
Interference is what happens when two or more waves overlap at the same point in space, and the mathematics behind it is the superposition principle: the resultant displacement at any point is simply the vector (here, scalar, since both waves have the same direction of vibration) sum of the displacements each wave would produce alone. Two sources are called coherent if the phase difference between the waves they emit, measured at any fixed point, stays constant in time; light from a single source split into two paths (as in Young's experiment) is coherent, while light from two independent lamps is not, because ordinary sources undergo random phase jumps roughly every . If two coherent waves of the same frequency and amplitude arrive at a point with phase difference , writing and and adding them gives a resultant amplitude . Since intensity is proportional to amplitude squared, the resultant intensity is:
where: is the intensity each source would produce alone, and is the phase difference at that point. The physical reading is a smooth oscillation between two extremes: at (path difference an integer number of wavelengths) the waves arrive crest-on-crest and , constructive interference; at (path difference a half-integer number of wavelengths) the waves arrive crest-on-trough and , destructive interference. If the two sources are incoherent, itself fluctuates randomly and the time-averaged intensity settles to the ordinary sum everywhere — no bright or dark bands, just uniform illumination. This single formula, Equation (5), is the engine behind every fringe pattern in this chapter.
Young's double-slit experiment and fringe width
Thomas Young's genius was to "lock" two sources in phase by deriving both from a single original source: light from a narrow slit falls on two closely spaced slits and , which then act as coherent secondary sources because any phase change at affects both identically. The spherical waves spreading from and overlap on a distant screen and produce a pattern of equally spaced bright and dark fringes. For a point on the screen at distance from the centre, with slit separation and screen distance , the path difference works out (derived below) to . Bright fringes occur where this path difference is a whole number of wavelengths:
where: is the position of the -th bright fringe from the centre, is the wavelength, is the slit-to-screen distance and is the slit separation. Dark fringes occur midway, where the path difference is a half-integer number of wavelengths:
Because consecutive bright fringes (or consecutive dark fringes) are separated by exactly the same distance, the pattern is a set of equally spaced bands, and this spacing — the fringe width — is , derived formally in the second derivation block below. A smaller slit separation, a longer wavelength, or a more distant screen all widen the fringes; a wider slit separation squeezes them together.
Diffraction at a single slit
Even a single narrow slit, illuminated by a parallel beam of monochromatic light, produces its own pattern of bright and dark bands rather than a sharp-edged shadow. Treating every point across the width of the slit as a Huygens secondary source and summing their contributions at the screen with the correct phase, the intensity has a broad central maximum straight ahead (), flanked by much weaker secondary maxima that fade rapidly with distance from the centre. The dark bands — the minima of the pattern — occur at angles satisfying:
where: is the slit width, is the angle measured from the straight-through direction, and is a nonzero integer. Between consecutive minima lie the secondary maxima, located approximately at ; unlike Young's fringes, these secondary maxima are not evenly spaced in intensity — each is markedly weaker than the last, and the very first secondary maximum carries only a small fraction of the central maximum's intensity. The central maximum is twice as wide as any secondary maximum, spanning from to , because it is bounded by the minima on either side of the undeviated direction, whereas each secondary maximum is squeezed between consecutive same-sign minima one apart. Diffraction and interference share the same physical root — the superposition of secondary wavelets — and Richard Feynman's famous remark applies precisely here: there is no sharp physical boundary between the two words, only a convention that "interference" is used for a handful of discrete coherent sources (as in Young's experiment) and "diffraction" for a continuum of them (as across a single slit). In fact the double-slit pattern seen on a screen is really the product of the single-slit diffraction envelope from each slit and the Young interference fringes between the two slits — the two effects always coexist.
Polarisation and Malus' law
Everything discussed so far — reflection, refraction, interference, diffraction — works equally well for longitudinal waves like sound. Polarisation does not, and that makes it the decisive proof that light is a transverse wave: the oscillation (the electric field, for light) is always perpendicular to the direction the wave travels. Light from an ordinary source is unpolarised — the direction of the transverse oscillation changes randomly and rapidly, exploring every direction in the plane perpendicular to propagation. A polaroid sheet, built from long-chain molecules aligned in one direction, absorbs the field component along that direction and transmits only the perpendicular component, called the polaroid's pass-axis; the emerging light is linearly (plane) polarised, oscillating along a single fixed direction. Passing unpolarised light through a single ideal polaroid always halves its intensity, regardless of the polaroid's orientation, because on average exactly half of a randomly oriented field survives projection onto any one fixed axis. The interesting physics appears with a second polaroid. If the already-polarised light (amplitude , along the first polaroid's pass-axis) meets a second polaroid whose pass-axis is tilted at angle to the first, only the component passes through, and since intensity scales as amplitude squared:
where: is the intensity of the light incident on the second polaroid (already polarised by the first) and is the angle between the two pass-axes. This is Malus' law. It predicts full transmission when the axes are parallel (), and exactly zero transmission when they are perpendicular — crossed polaroids — at . Rotating one polaroid relative to the other therefore acts as a continuously variable light valve, the working principle behind polarised sunglasses, camera filters, and the intensity control found in many LCD-based displays.
The goal is to derive the relation between the angle of incidence and the angle of refraction using nothing but Huygens' geometrical rule — every point on a wavefront spawns a secondary wavelet, and the tangent to all these wavelets gives the next wavefront — applied at a plane interface separating two media in which light travels at speeds and . This single geometric argument settles the historic dispute between Newton's corpuscular model, which predicted the wrong direction of speed change on refraction, and the wave model, which predicted (and experiment later confirmed) that light slows down in a denser medium.
Step 1. Set up the incident wavefront. Let be the plane interface, and let be a plane wavefront in medium 1, incident on the interface at angle to the normal, with touching the interface first at time while is still a perpendicular distance away. Let be the time the point on the wavefront nearest takes to reach the interface at point , so that in medium 1 the wavefront advances a distance .
Step 2. Build the secondary wavelet in medium 2. By Huygens' principle, the moment the wave touches the interface at (taken as for that point), a secondary wavelet begins spreading into medium 2 from at speed . By the time the rest of the wavefront reaches (after time ), this wavelet has grown into a sphere of radius centred at .
Step 3. Construct the refracted wavefront as the tangent. Draw the tangent line from to this sphere of radius ; call the point of tangency . This line is the new wavefront in medium 2 at time — every point between and on the original interface has by now launched its own wavelet, and is their common envelope, exactly as Huygens' principle demands.
Step 4. Extract the two angles from right triangles sharing the hypotenuse . In triangle , the angle at between and the interface normal equals the angle of incidence , and . In triangle , the angle at between 's normal and equals the angle of refraction , and . Both triangles share the same hypotenuse , which is the key simplification that lets the two angles be compared directly.
Step 5. Divide the two equations to eliminate and . Since and , dividing gives . Substituting and turns this speed ratio into a ratio of refractive indices, and cross-multiplying gives — Snell's law, obtained purely from wavefront geometry, with no reference to particles or rays at all. As a direct corollary, refraction from a denser medium () into a rarer one () has a limiting angle where ; setting gives the critical angle condition , beyond which Snell's law has no solution and the wave undergoes total internal reflection instead.
Go deeper · Derivation B · 2 minFringe width in Young's double-slit experiment
The goal is to find exactly where the bright and dark bands fall on the screen in Young's experiment, and to show that they are evenly spaced — a result that lets a single measured spacing hand back the wavelength of the light used, exactly as NCERT's own worked exercises do. The argument rests entirely on approximating a path-length difference between two nearby rays using the small-angle (binomial) approximation, valid because the screen distance is always vastly larger than the slit separation in a real setup.
Step 1. Set up coordinates. Let the two coherent slits and be separated by distance , with the screen a distance away, parallel to the line joining the slits, and let be the point on the screen directly opposite the midpoint of . Let be a general point on the screen a distance from , so that and are the two path lengths from the slits to .
Step 2. Write the exact path lengths using Pythagoras, placing at height and at height relative to the axis: and . These are unwieldy, so the next step simplifies them using .
Step 3. Apply the binomial approximation. Factor out of each square root and expand for small , keeping only the first-order term in . This gives — the path difference grows linearly with how far off-axis is, and linearly with the slit separation, exactly the approximation used already in the core-ideas section.
Step 4. Impose the interference conditions from the general superposition result, Equation (5). A bright fringe requires the path difference to be a whole number of wavelengths, , so ; a dark fringe requires a half-integer number of wavelengths, , so .
Step 5. Compute the spacing between consecutive fringes. The distance between the -th and -th bright fringes is — independent of . Repeating for dark fringes gives the identical spacing. Both bright-to-bright and dark-to-dark spacing therefore equal the single number called the fringe width, , proving the fringes are evenly spaced across the whole pattern (as long as the small-angle approximation of Step 3 holds, which fails only very far from the centre).
Go deeper · Derivation C · 2 minMalus' law and the three-polaroid problem
The goal is to derive Malus' law for the intensity transmitted by a polaroid from a purely geometric argument about vector components of the oscillating field, and then to apply it to a genuinely counter-intuitive situation: showing that inserting a third polaroid between two crossed polaroids can turn a completely dark field of view bright again, rather than making it darker. This is exactly the extension NCERT poses in its own Example 10.2, and it is a favourite conceptual trap in competitive exams.
Step 1. Fix the reference amplitude. Let unpolarised light of intensity fall on a first polaroid ; only the component of the randomly oriented field along 's pass-axis survives, and averaging over all random orientations halves the intensity, giving as plane-polarised light with amplitude , oscillating purely along 's axis.
Step 2. Resolve this field onto a second polaroid's axis. If a second polaroid has its pass-axis at angle to 's, only the projection of onto that axis is transmitted: . Since intensity is proportional to amplitude squared, — Malus' law, Equation (9), with giving full transmission and giving none.
Step 3. Set up the three-polaroid problem. Let and be crossed, so the angle between their pass-axes is exactly ; with alone after , Malus' law gives , total darkness. Now insert a second polaroid between them, with its axis at angle to 's axis; since and are crossed, the angle between 's axis and 's axis is the complement, .
Step 4. Apply Malus' law twice in sequence. After , the intensity is . After , applying Malus' law again with the angle between and : . Using the identity , this simplifies to .
Step 5. Read the physics out of the result. Because reaches its maximum value of at , the transmitted intensity is maximised at when the inserted polaroid bisects the angle between the crossed pair — a full quarter of passing through, where without nothing at all got through. Inserting more polarising material between the crossed polaroids brightens the field of view rather than dimming it further, precisely because each polaroid only removes the component of the field perpendicular to its own axis, not everything not aligned with the final axis.
Worked examples
Board level - reflected and refracted wavelength, frequency and speed at an air-water interface
Monochromatic light of wavelength is incident from air on a water surface. Refractive index of water is and . Find the wavelength, frequency and speed of (a) the reflected light and (b) the refracted light.
Step 1. Find the incident frequency, which does not change on reflection or refraction. .
Step 2. Handle the reflected ray. Reflection sends the wave back into the same medium (air), so nothing about the wave changes: wavelength, speed and frequency are all identical to the incident values. Reflected light: , , .
Step 3. Handle the refracted ray's speed and wavelength. The frequency stays fixed at (it is set by the source, not the medium), but the speed drops to , and correspondingly the wavelength shrinks to (equivalently , same answer). Refracted light: , , (unchanged).
Board level - fringe wavelength and fringe width in Young's double-slit experiment
In a Young's double-slit experiment the slits are separated by and the screen is placed away. The distance between the central bright fringe and the fourth bright fringe is measured to be . Determine the wavelength of light used, and the fringe width.
Step 1. Identify which formula applies. The fourth bright fringe sits at from the centre, by Equation (6) with .
Step 2. Solve for . Rearranging, . Answer: .
Step 3. Find the fringe width directly. . Answer: , consistent with the given data since four fringe widths span , i.e. .
Competitive level (JEE / NEET) - single-slit diffraction: central maximum width and the first secondary maximum
A parallel beam of light of wavelength is incident normally on a single slit of width . A screen is placed away. Find (a) the angular half-width and the total linear width of the central maximum, and (b) the angular position of the first secondary maximum.
Step 1. Locate the first minima using Equation (8) with : . Since this is small, (in radians, using the small-angle approximation).
Step 2. Convert to a linear half-width on the screen: . The central maximum spans from to , so its total width is , twice the half-width — matching the general rule that the central maximum is twice as wide as any secondary maximum.
Step 3. Locate the first secondary maximum using the approximate secondary-maximum condition with : , so , landing at from the centre — well outside the central maximum's half-width, as it must be. Answer: central maximum half-width (total width ); first secondary maximum at ( from centre). Timing note: under two minutes if you keep the pattern straight — minima sit at integer multiples of , the central maximum's half-width is exactly the first minimum's angle, and secondary maxima sit roughly at half-integer multiples, always strictly between two consecutive minima. The classic JEE trap is plugging into the minima formula when the question actually asks for a secondary maximum — that gives the second minimum's angle by mistake, not the first bright band beside the centre. Always check whether the question wants a dark band (integer ) or a bright band (half-integer ) before substituting.
Common traps
Students consistently mix up a handful of specific ideas in this chapter, and examiners know exactly where to press.
Adding intensities instead of amplitudes for coherent sources. The instinct from "two bulbs are brighter than one" is to write always. That rule holds only for incoherent sources; for coherent sources the correct general formula is Equation (5), , which swings all the way from down to zero depending on phase — a fact ray-optics intuition about brightness never anticipates.
Forgetting that frequency, not wavelength, is what stays fixed across a boundary. On refraction, both speed and wavelength change together (Equation 3), but frequency is locked to the source and is identical in both media — a point tested directly in NCERT's own Example 10.1(a).
Confusing path difference with phase difference. A path difference of corresponds to a phase difference ; forgetting the factor when converting between the two is a very common slip, especially in problems that quote path difference in multiples of rather than in metres.
Mixing up the single-slit minima condition with the double-slit maxima condition. Both look like "," but in Young's experiment marks a bright fringe (Equation 6) while in single-slit diffraction marks a dark minimum (Equation 8) — memorising the formula without the physical picture behind it (constructive addition of a handful of point sources versus destructive cancellation across a continuum of wavelets) leads straight to sign and interpretation errors.
Applying Malus' law with the wrong reference intensity. uses as the intensity of the light already polarised and incident on the polaroid in question, not the original unpolarised intensity — skip the "divide by two for the first polaroid" step and every downstream number in a multi-polaroid problem comes out wrong, exactly the trap probed in the three-polaroid derivation above.
Believing total internal reflection needs going "from air to glass." It only occurs going from a denser to a rarer medium at an angle beyond the critical angle — light travelling from air into glass can never totally internally reflect, no matter the angle, because it is entering the denser medium.
You should be able to…
- State Huygens' principle precisely and use it to sketch the construction of a refracted or reflected wavefront at a plane interface.
- Derive Snell's law and the critical angle condition from Huygens' construction, and explain why the wave model's prediction about speed in a denser medium contradicts the corpuscular model's.
- Distinguish coherent from incoherent sources, and explain physically why two independent lamps never produce a stable interference pattern.
- Apply the general interference intensity formula to identify points of constructive and destructive interference from a phase or path difference.
- Derive the fringe-width formula for Young's double-slit experiment and use it (in either direction) to find wavelength from measured fringe spacing or vice versa.
- Locate the minima and estimate the secondary maxima of a single-slit diffraction pattern using , and explain why the central maximum is twice as wide as any secondary maximum.
- State Malus' law, apply it correctly across a sequence of polaroids, and explain the transverse-wave evidence it provides.
- Explain, using conservation of energy, why interference and diffraction only redistribute light rather than creating or destroying it.
Ask the tutor: If you want to see exactly how the fringe-width formula changes when the double slit is dipped in water, or work through why a diffraction grating gives much sharper lines than a single double slit, ask your tutor to walk through it with you.
Why don't the headlights of two cars, or two ordinary bulbs, ever produce visible interference fringes?
They do interfere, technically, but the pattern is invisible because the two sources are incoherent: each undergoes random, abrupt phase changes roughly every , with no fixed phase relationship between them. The bright and dark bands shift completely, over and over, within a fraction of a second — far too fast for your eye to register. All you see is the time-averaged result, a flat everywhere, as if the two beams simply added their intensities. Young's trick was to derive both sources from one original slit, so any phase jump affects both identically and their difference in phase stays locked — that is what coherence means.
What is actually the difference between interference and diffraction? They look similar in every diagram.
Physically there is no sharp dividing line, and even Richard Feynman said as much: both arise from the same idea, the superposition of secondary wavelets from a wavefront. The conventional distinction is about how many sources are involved. "Interference" is used when a handful of discrete, well-separated coherent sources combine — two slits in Young's experiment. "Diffraction" is used when a continuum of wavelets across a single aperture combine, as across a single slit's width. In the real double-slit experiment both effects coexist: the fringe pattern from is multiplied by the broader single-slit diffraction envelope from each slit, so pure-interference fringes get dimmed toward the edges.
When light enters water, why does the wavelength change but the frequency stay the same?
Frequency is set by the vibration of charges emitting the light, and that rate cannot change just because the light crosses into a new medium; atoms at the water's surface are driven at, and re-radiate at, exactly the frequency arriving from air. Speed depends on how the wave interacts with the medium, and water slows light down (that is what a refractive index greater than one means). Since and is fixed while drops, shrinks in the same proportion as the speed. Colour is really determined by frequency, not wavelength — which is why light does not appear to change colour crossing from air into water.
Why is the central maximum in single-slit diffraction twice as wide as the secondary maxima, when in Young's double-slit pattern every fringe has the same width?
These are different patterns with different causes. In Young's experiment only two sources interfere, and is linear in , so every fringe — bright or dark — sits exactly from its neighbour: a simple, unbroken repetition. In single-slit diffraction the minima fall at , symmetric at , but there is no minimum at — the centre is a peak instead. So the central maximum, bounded by the and minima, spans , while every later secondary maximum sits between two consecutive same-sign minima only apart.
Does polarisation prove that light really is a wave, and why can't sound waves be polarised?
Polarisation proves something more specific than "light is a wave" — reflection, refraction, interference and diffraction already show that. It proves light is transverse: the electric field vibrates perpendicular to the direction of travel, not along it. A polaroid can selectively absorb the field component along one direction only because there is a whole plane of possible oscillation directions at right angles to propagation — a freedom longitudinal waves lack. Sound in air is longitudinal: molecules oscillate along the travel direction, with no sideways component, so there is no transverse direction for a "sound polaroid" to filter. Most interference and diffraction effects exist for longitudinal waves too, but polarisation is special to transverse waves like light.